Hands of Creation

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Fall, in its infinite crispness and newness, always brings me deeply in touch with my meditative side. I turn inward after the mania and excitement of the summer months and celebrate the opportunity to get back to routine and back to nesting after summer’s nomadism. Fall is also my favorite time to delve into life’s slow arts—cooking, crafting, creating in all manner—and so it is appropriate that I should have the pleasure of introducing to these pages a wonderful creator who has come to discover the slow art that moves her most and who is making her life for it and from it.

It was still the height of summer when I first came to visit Ivy Weinglass at her studio in all her sprightliness and warmth. It never ceases to amaze me that, while wandering the streets of Brooklyn, one can be in the presence of such magic, tucked away just beyond sight and consciousness. And so it was that I came to discover her ceramics studio, cool and earthen smelling in delightful contrast to the tinny August heat, nestled in an unassuming building off of a dead-end street in Williamsburg. Here Ivy spends her days in the company of other artists who share this studio, the healthy buzz of creation filling the railroad style space and the gift of a grape-vined secret garden in the back to escape to for moments of calm.

Bandana Bag

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Ivy with Handshandsclose

A voracious crafter of all disciplines, Ivy has tried her hand at many projects. And something that she may do just to pass the time inevitably yields enviable and covetable results. Her vintage bandana bags and quilts, for example, are straight out of a southwestern, wanderlust dreamscape, conjuring images of cowboy kisses, dusty road trips, and sleeping under the stars. Likewise, her latest adventure in embroidery has garnered well deserved attention from all angles and adorns the wearer in a happy neo-grunge halo. But it is her work in ceramics that, above all of her other artistry, makes her feel completely herself. She found the craft after a stint of creative drought and took to it feverishly, compelled by the challenge and patience that it required. And here she is today, creating truly stunning pieces (now available at ABC Carpet and Home {yeehaw!} among many other awesome outposts across the country) that feel simultaneously ancient and cutting edge, original and universal. She says that her devotion to long hours in the studio surprised her at first, having thought of herself previously as someone lacking in attention. But the nature of working with clay has found her in complete meditative clarity and possessing a work ethic with a laser beam focus to achieve the pieces that she envisions.

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Perhaps her most iconic pieces are her ceramic hands. Always having been drawn to the symbol—collecting hands of all mediums from thrift stores, markets, etc—she conceived of her own motif completely out of function, to serve as an elegant spot to snub out her beloved palo santo sticks that she burns incessantly in her home. (It is her practice, even, to gift purchasers of her ceramic hands with a stick of palo santo, known for bringing balance to the spaces in which it is burned.) The result, of course, is the perfect, soulfully pleasing designs that enchant every person that lays eyes on them. The ideal talisman to adorn our homes with as we settle into these months of sacred nesting, with shorter days and falling temperatures.

Ivy at the bench_Fotorhands

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What I find so special about Ivy’s story is that she has truly made a life of her passions, seemingly unfettered by any commonly used excuses or frequently referenced obstacles like time, money, and the thing her mom calls “monkey brain” (aka the chief demon of all creatives: the little voice that tries to stop us each day as we sit down to make our art). Her recipe to keep focused when the voices of doubt and distraction surface is to take a break. When her work flow is off and things don’t feel right in the studio, she escapes completely until she is ready to return to the task at hand. And it turns out that sometimes those days away are more important to her continued work than days spent at her bench. She references, and I couldn’t agree with her more, that we have to be our own best cheerleader if we are ever to accomplish (and still find joy in) our work. Ivy also fights against the societal constraint to put money above all else by reveling in the beauty of trade. She’s found many other incredible artists on Instagram whom she has cultivated relationships with and made exchanges of her work for theirs, rendering her life and her spaces full of amazing artifacts that fuel her creativity. But money inevitably comes with great effort and determination, and I am so happy for all of Ivy’s well deserved success.

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It is the solid influence of friends and family and the vision of other creatives that keeps her motivated and inspired. She is intimately aware of the fact that when you keep trying your hand at “making it” in the creative arena, something is bound to stick. And like the sage she is, she acknowledges that inevitably  one will have to keep trying to break through to the next source of inspiration. One thing that she never hopes to be is complacent, understanding that complacency is the ultimate enemy of creativity. And so Ivy strives to keep learning, keep exploring and keep building upon her creative foundation. And we, the awestruck admirers of her work, couldn’t be happier for it.

To purchase, or for more on Ivy’s work, visit her at her brand’s website: IIIVVVYYY.

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